Spanish scientists working on a project for the conservation of paintings of the Inca Empire
At work explaining the results of studies in the rocky outcrop of Inkapintay, near the town of Ollantaytambo, where a rock anthropomorphic representation is attributed to a gesture of Manco Inca, one of the last Inca Empire of Tahuantinsuyu.
The team of vertical progression of the UJI Ukhupacha Project led by Salvador Guinot provided technical assistance to archaeologists, since the scenario is in a place not easily accessible.
The Andean-Amazonian territory is one of the most varied geographic settings of South America. This fact, coupled with the extraordinary diversity achieved by native, allowed the creation of a type of cultural material consisting of all varieties of rock art, where the landscape and historical occupation of space is perceived articulated in the process analysis social pre-Columbian past.
Conservation of natural landscape
The paper “Inkapintay: Pictograph Inca in the Valley of Yucay. Cusco “presented by archaeologist Ukhupacha, Víctor Falcón Huayta, in the International Rock Art Symposium (SIAR) held in San Miguel de Tucumán (Argentina) late last year in the city of San Miguel de Tucumán, raised the need join forces to work together to preserve this site. This taxation is the most important regular meeting of archaeologists and specialists in the study of rock art.
During the event also presented the poster “Rock art and rock vertical progression: the case of Inkapintay” which explains the features of the rugged landscape of Inkapintay, technical procedures necessary to achieve vertical progression of pictographs and registration by archaeologists.
The poster was delivered to the Society for Research on Rock Art of Bolivia (SIARB) which will organize the next symposium in the city of La Paz in 2012.